Wednesday, March 18, 2009

THE MATING SEASON

Background: Published in 1949.

This is the one where: Bertie goes undercover as Gussie Fink-Nottle (while Gussie goes undercover as Bertie and Catsmeat Pirbright goes undercover as Bertie’s valet) to reunite four sets of “sundered hearts” (with Jeeves’ help, of course) while suffering the disapproval of “a solid gaggle of aunts” (six in all).

The action takes place at: Deverill Hall, King’s Deverill, Hampshire

Bertie nearly gets engaged to: Madeline Bassett, yet again, “the sloppiest, mushiest, sentimentalist young Gawd-help-us who ever thought the stars were God’s daisy chain and that every time a fairy hiccoughs a wee baby is born”

But she’s really in love with: Gussie Fink-Nottle, “Goofy to the gills, face like a fish, horn-rimmed spectacles, drank orange juice, collected newts, engaged to England’s premier pill”

The task at hand: Impersonate Gussie at Deverill Hall so Madeline doesn’t find out that he’s been jailed for wading in the Trafalgar Square fountain, get Gussie (after he is unexpectedly released from jail) to impersonate Bertie so Aunt Agatha doesn’t find out that Bertie isn’t fulfilling her request that he participate in the King’s Deverill village concert, keep everyone from finding out about the identity switch, keep Madeline from finding out that Gussie has fallen in love with Corky Pirbright, keep Gussie from getting arrested by Officer Dobbs for attempting to liberate Corky’s dog after it has been locked up for biting people, reunite Gussie and Madeline, reunite Corky Pirbright and Esmond Haddock by helping Esmond stand up to his five aunts, reunite Catsmeat Pirbright (who accidentally gets engaged to Queenie the maid) and Gertrude Winkworth, reunite Officer Dobbs and Queenie. Whew!

Other characters include:
  • Claude Cattermole “Catsmeat” Pirbright, an actor friend of Bertie’s (“he is the fellow managers pick first when they have a Society comedy to present and want someone for ‘Freddie,’ the lighthearted friend of the hero, carrying the second love interest. If at such a show you see a willowy figure come bounding on with a tennis racket, shouting ‘Hallo, girls’ shortly after the kick-off, don’t bother to look at the programme. That’ll be Catsmeat.”)
  • Cora “Corky” Pirbright, Catsmeat’s sister, a Hollywood actress, “one of those lissome girls of medium height, constructed on the lines of Gertrude Lawrence, and her map had always been worth more than a passing glance. In repose, it has a sort of meditative expression, as if she were a pure white soul thinking beautiful thoughts, and when animated, so dashed animated that it boosts the morale just to look at her. Her eyes are a kind of browny-hazel and her hair rather along the same lines. The general effect is of an angel who eats lots of yeast. In fine, if you were called upon to pick something to be cast on a desert island with, Hedy Lamarr might be your first choice, but Corky Pirbright would inevitably come high up on the list of Hon. Mentions.”
  • The Rev. Sidney Pirbright, Corky and Catsmeat’s uncle and organizer of the village concert, “a tall, drooping man, looking as if he had been stuffed in a hurry by an incompetent taxidermist”
  • Esmond Haddock, owner of Deverill Hall, “a fine, upstanding—sitting at the moment, of course, but you know what I mean—broad-shouldered bozo of about thirty, with one of those faces which I believe, though I should have to check up with Jeeves, are known as Byronic. He looked like a combination of a poet and an all-in wrestler.”
  • The Misses Charlotte, Emmeline, Harriet, and Myrtle Deverill, Esmond’s aunts (“As far as the eye could reach, I found myself gazing on a surging sea of aunts. There were tall aunts, short aunts, stout aunts, thin aunts, and an aunt who was carrying on a conversation in a low voice to which nobody seemed to be paying the slightest attention. I was to learn later that this was…the dotty one.”)
  • Dame Daphne Winkworth, Esmond’s most formidable aunt, “a rugged light-heavyweight with a touch of Wallace Beery in her make-up”
  • Gertrude Winkworth, Dame Daphne’s daughter, “slim and blonde and fragile, in sharp contradistinction to her mother…Her eyes were blue, her teeth pearly, and in other respects she had what it takes”
  • Officer Ernest Dobbs, policeman and atheist, “one of those chunky, knobbly officers. It was as though Nature, setting out to assemble him, had said to herself ‘I will not skimp.’ Nor had she done so, except possibly in the matter of height. I believe that in order to become a member of the Force you have to stand five feet nine inches in your socks, and Ernest Dobbs can only just have got his nose under the wire. But this slight perpendicular shortage had the effect of rendering his bulk all the more impressive. He was plainly a man who, had he felt disposed, could have understudied the village blacksmith and no questions asked.”
  • Queenie, the parlormaid (in a rare lapse on Wodehouse's part, described only as “pretty”)
  • Charlie Silversmith, butler at Deverill Hall, Jeeves’s uncle and Queenie’s father (“He looked like one of those steel engravings of sixteenth-century statesmen”)
  • Aunt Agatha, “the one who chews broken bottles and kills rats with her teeth” (sadly, she never actually appears in the book but inhabits it only by reputation)
  • Thomas, Agatha’s son (“This Thos is one of those tough, hardboiled striplings, a sort of juvenile James Cagney with a touch of Edward G. Robinson.”)
Bertie’s trials and tribulations include: Not getting to perform the knockabout cross-talk act in the village concert but instead nearly having to recite Christopher Robin poems, having everyone think he's Gussie and Gussie his him (and having to drink orange juice instead of liquor), taking the overnight train to steal Gussie's breakup letter before Madeline reads it (and then getting caught by Madeline and renewing her impression that he's wildly in love with her and can't stay away), entertaining Thomas in London, and facing all those aunts

Jeeves disapproves of Bertie’s: Nothing! But we do get a reference to past disagreements after Jeeves hits Officer Dobbs over the head to rescue Gussie from arrest: “The revelation of this deeper, coshing side to Jeeves’s character had come as something of a shock to me…He and I had had our differences in the past, failing to see eye to eye on such matters as purple socks and white dinner jackets, and it was inevitable, both of us being men of high spirit, that similar differences would arise in the future. It was a disquieting thought that in the heat of an argument about, say, soft-bosomed shirts for evening wear he might forget the decencies of debate and elect to apply the closure by hauling off and socking me on the frontal bone with something solid.”

First paragraph: “While I would not go so far, perhaps, as to describe the heart as actually leaden, I must confess than on the eve of starting to do my bit of time at Deverill Hall I was definitely short on chirpiness. I shrank from the prospect of being decanted into a household on chummy terms with a thug like my aunt Agatha, weakened as I already was by having had her son Thomas, one of our most prominent fiends in human shape, on my hands for three days.”

Bertie fashion moment: Wanting to look good for Corky, Gussie asks Bertie “if you would lend me that tie of yours with the pink lozenges on the dove-grey background” (prompting from Bertie “the fleeting thought that he was a bit of an optimist if he expected a tie with pink lozenges on a dove-grey background to undo Nature’s handiwork to the extent of making him look anything but a fish-faced gargoyle”).

Slang I’d like to start using: “oompus-boompus,” which seems to mean “funny business” (“Even in the distant days when she wore rompers and had a tooth missing in front, hers was a fiery and impulsive nature, quick to resent anything in the shape of oompus-boompus. And it is inevitably as oompus-boompus that she will have classed the zealous officer’s recent arrest of her dog.”)

Bertie gets no respect: “He appears to be completely irresponsible. Agatha tells me that sometimes she despairs of him. She says she often wonders if the best thing would not be to put him in a home of some kind.”—Dame Daphne

Best Jeeves moment: “The only occupant of the more posh saloon bar was a godlike man in a bowler hat with grave, finely chiseled features and a head that stuck out at the back, indicating great brain power. To cut a long story short, Jeeves. He was having a meditative beer at the table by the wall.”

Best bit of description: “Jeeves, in speaking of this Fink-Nottle, if you remember, described him as disgruntled, and it was plain at a glance that the passage of time had done nothing to gruntle him. The eyes behind their horn-rimmed spectacles were burning with fury and resentment and all that sort of thing. He looked like a peevish halibut. In moments of emotion Gussie’s resemblance to some marine monster always becomes accentuated.”

Best bit of dialogue:
Jeeves: “I wonder if I might call your attention to an observation of the Emperor Marcus Aurelius. He said: ‘Does aught befall you? It is good. It is part of the destiny of the Universe ordained for you from the beginning. All that befalls you is part of the great web.’”
Bertie: “He said that, did he?”
Jeeves: “Yes, sir.”
Bertie: “Well, you can tell him from me he’s an ass.”

My review: Five stars! This was a downright tour de force, with one of the twistiest plots yet. Not only do we have the always reliably funny Gussie and Madeline, but we also get a record-setting three other sets of lovelorn couples to entangle and detangle, not to mention heaps of dreaded aunts (including the looming threat of Aunt Agatha and the astounding implication that Bertie finally stands up to her at the end, though the book closes before we get to see it). Catsmeat and Corky are both amusing characters, identity switches are always good for a laugh, and as a bonus, we get to meet Jeeves' uncle and cousin! The Code of the Woosters remains my sentimental favorite because of the cow creamer, but this one nearly ties it for best Jeeves & Wooster hijinks so far.

Had I read it before? No!

Next up: Jeeves and the Feudal Spirit (I'm skipping Ring for Jeeves/The Return of Jeeves because not only have I read it within the past couple of years, but it’s also the only Jeeves book not to feature Bertie at all, and therefore isn’t worthy of being part of this project)

Friday, March 13, 2009

THE SUSPICIONS OF MR WHICHER

The Suspicions of Mr. Whicher: A Shocking Murder and the Undoing of a Great Victorian Detective, by Kate Summerscale: I’d been looking forward to reading this for a while after seeing glowing reviews in Entertainment Weekly and elsewhere. The story of a scandalous nineteenth-century crime interwoven with a history of detection, including early detective fiction? Sign me up. But the book was unsatisfying, and even, I’m afraid, a little tedious. I’m not sure if the concept was faulty or if it would have worked better in the hands of a different writer, but compelling storytelling and insights were in short supply. There were too many disparate strands (the murder case, the biography of Jonathan Whicher, the history of detection, the literary references) that never came together, which just made it feel like there was a lot of dry, unnecessary padding obscuring the stuff you wanted to know about (what happened and why?). In particular, it bugged me how the literary references were often used out of context—although there was some interesting discussion of how the famous case was fictionalized in books such as The Woman in White and Lady Audley’s Secret, through the rest of the book quotes from earlier proto-mystery novels were just thrown in as though they were supporting factual evidence of what the actual people involved in the case might have been thinking or feeling (I’ve returned the book to the library, so unfortunately I can’t give any examples). I would have been pretty fascinated to read an article along the same lines, but there just wasn’t enough substance to sustain me through an entire book. The best thing I can say about it was that with its many mentions of Bleak House, it finally inspired me to get off my butt and read that massive tome, which I am quite happily enjoying at present.

WATCHMEN

Watchmen, by Alan Moore and Dave Gibbons: OMG I loved this. I’m kind of embarrassed how much I loved it. It had been lying around our apartment ever since July, when we rescued it from A’s childhood bedroom at his house in Indiana, where it had been lying around for 10 years or so. With the movie adaptation imminent, I finally got around to picking it up and…wow. It actually became a problem for me, because I would read it in the morning while eating breakfast, get sucked in, and be late for work; then I’d read it at night before bed, get sucked in, and stay up too late. Sometimes the violence made me a little woozy, and I got a little weary of the pirate comic that serves as a counterpoint to the main plot, but I loved the story, I loved the writing, I even loved the scary, fucked-up characters. And then I saw the movie and loved that too. (Sure, there’s no way it could hold a candle to such a masterfully written book, and it certainly wasn’t perfect as a film—I didn’t like the way it unnecessarily jacked up the gore, which there was plenty of in the book already—but most of it was so spot-on perfect, especially Jackie Earl Haley’s amazing performance as Rorschach, and it took me right back into that world I’d been happily absorbed in while reading the book.) Even though I dig superheroes, I’d never been much of a comic-book reader before now; my linear brain clung stubbornly to traditional text-only books, and while I’ve been reluctantly addicted to the Buffy Season 8 comics, I secretly wish Joss Whedon and the cast could just reunite to act them out for me. But now The League of Extraordinary Gentlemen is on my nightstand and I’m contemplating seeing Watchmen again, in IMAX this time. Apparently, I am suddenly a late-blooming fangirl.

SLEEP IS FOR THE WEAK

Sleep Is for the Weak: The Best of the Mommybloggers, edited by Rita Arens: A lot of the blogs I read nowadays seem to be mommyblogs; some of them were already that way when I discovered them, while others changed after I started reading them (not surprising, since as a thirtysomething woman I gravitate toward reading about the experiences of other thirtysomething women, and thirtysomething is when many women start having babies). While I admit part of my interest stems from vicarious curiosity about the experience of motherhood (a sort of periodic self-testing: “Self, are you interested in doing this?” “Hmm…still nope.”), mostly it just happens that these blogs feature some of the best Web writers around, fiercely funny and movingly expressive. Since this BlogHer anthology featured some of those writers (Fussy, Finslippy, Amalah), I checked it out. Obviously, as a non-mom (and current-non-wannabe-mom), I’m not the intended audience, so I alternated between feeling little left out of the club during the sweeter stories and being relieved to be child-free during some of the warts-and-all cautionary tales. I wouldn’t have read this if I wasn’t already a fan of some of the blogs, but it was a fun, quick, easy read and would probably be great for any new parent to dip into between naps and feedings.

MAPS AND LEGENDS

A little continuation of last year’s Michael Chabon Month. Just when I thought it wasn’t possible for me to love Chabon any more deeply than I already did, this fun, intelligent collection of essays squeezed one more little drop of affection out of my heart. I heartily cheer his impassioned defenses of genre and cross-genre fiction, and as a bonus, the book itself, published by McSweeney’s, is beautifully designed, from the four-layer dust jacket to the pleasing font.

INDIGO’S STAR

(By Hilary McKay) Sweet, satisfying sequel to Saffy’s Angel, which I read last month. I’m getting addicted to this series.

MY FAMILY AND OTHER ANIMALS

Charming, comical (but slightly fictionalized, Wikipedia has since informed me) memoir by Gerald Durrell of the naturalist’s childhood years living with his eccentric family on the Greek island of Corfu. Not surprisingly, there are a lot of nature descriptions, and they are beautifully written; if I grew impatient with them from time to time, it was only because I was itching to get to the next anecdote about the wacky Durrells themselves. I don’t see myself rereading this over and over (I won’t end up adding it to my library), but I’d recommend it (as well as the recent BBC film adaptation), and I’m mildly interested in someday reading the other two books in the “Corfu Trilogy,” Birds, Beasts, and Relatives and The Garden of the Gods.